Brief phenomenology of the military characters in artistic representations

The March to Finchley 1750-61 by William Hogarth and Luke Sullivan 1697-1764, 1705-1771

In this article Matthew Flintham concern himself with works of art that tackled the representation of military landscapes, reflecting on the way war related images modified themselves through time, how the landscape have been absorbed to the military imaginary, and on the strategies adopted by the artists.

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